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3 12, 2020

Solange O. Farkas

44

Video, Art, and Activism: A Southern Perspective

2021-02-14T22:20:23+00:0003.12.2020|Categories: Artists, Authors, Biennial History, Case Study, Collaboration, Collections, Commissioning/Production, Curating, Exhibition/Program Design, FORM, Geopolitics, Internationalism, MATTER, Medium-specific events, PARTICIPANTS, Peripheries, PLACE, Postcolonialism, Research (Artistic/Curatorial), Residency, Solidarity|Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

17 12, 2018

IARA BOUBNOVA WITH SYLVIE FORTIN AND BASAK SENOVA

25

Making the Best out of the Biennial Model

2021-02-15T00:00:44+00:0017.12.2018|Categories: Artists, Authors, Biennial History, Commissioning/Production, Conversation, Curating, FORM, Frankfurt, Geopolitics, Internationalism, MATTER, Methodology, Moscow, PARTICIPANTS, Peripheries, PLACE, Thessaloniki, Venice, Yekaterinburg|Tags: , , , , , , , , , , , |

17 12, 2018

ADELINA CÜBERYAN VON FÜRSTENBERG WITH BASAK SENOVA AND SYLVIE FORTIN

26

Everyone has the right freely to participate in the cultural life of the community…

2021-02-15T00:44:53+00:0017.12.2018|Categories: Artists, Authors, Biennial History, Collaboration, Conversation, Cosmopolitanism, Curating, Exhibition/Program Design, FORM, Geopolitics, Habana, Justice, MATTER, PARTICIPANTS, Peripheries, PLACE, Sustainability, Theme, Thessaloniki, Venice, Yerevan|Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

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